In the United States of America, girls can be anything they want to be - in the sense that there are no laws that say - "If you enroll in school, we will kill you" which is the case for women in Afghanistan and Saudi Arabi, for example.
Yet there are gender gaps of girls in the sciences. Is it because girls lack math sense, or is it because girls - and boys - have been trained since day one that girls exist as eye candy for boys, girls are worthless unless they have a boyfriend, and girls can't keep a boyfriend if they're too smart.
Which is what girls - and boys - are taught in cartoons during their formative years all the time.
From Sequential Tart:
Mad Science for Girls (and Boys),
Part 1:Traditionally, mad scientists are usually male. This has been the case
ever since the Frankensteinian dawn of meddling with things man was
never meant to know -- although, ironically, the pioneering mad doctor
and his patched-together reanimated namesake were both created by a
woman, nineteenth century novelist Mary Godwin Shelley.
Despite Mary Shelley's seminal (ovarian?) role in creating the concept
of the mad scientist as occasionally unwitting Faustian anti-hero /
supervillain, trailblazing female computer visionaries like
Ada Lovelace
and proto-nuclear chemists like Marie Curie continued to be widely
regarded as the exception that proves the rule in real-life STEM
(science, technology, engineering and mathematics) fields for much of
the nineteenth and twentieth centuries. As a corollary of this, the more
exotic and problematical realms of fictional super-science have
remained an almost exclusively male domain well into the more recent era
of archetypal comic book geniuses such as Lex Luthor and Dr. Doom (mad,
bad and dangerous to know) and literal "science hero" types such as
Marvel's Reed (Mr. Fantastic) Richards and Hank (Ant-Man / Yellowjacket)
Pym (who are sometimes none too stable or morally reliable themselves).
Up until the last decade, this tradition of male predominance has also
been reflected in the portrayal of kids as mad scientists. Perhaps the
best known example of this is Dexter, the elementary school-aged title
character of
Dexter's Laboratory, which initially aired on
Cartoon Network
from 1996-1999, with an additional two seasons' worth of new episodes
released from 2001-2003. The irritable, antiheroic prepubescent
protagonist of this series is a bespectacled, lab-coated junior version
of the stereotypical mad scientist, right down to his quasi-Slavic
foreign accent.
Since the rest of Dexter's family all act and sound like ordinary
suburban Americans, this accent makes little sense within the context of
the show except as a deliberate affectation on the boy genius' part. As
series creator Genndy Tartakovsky told the
New York Times Magazine in a
2001 interview,
"[Dexter] considers himself a very serious scientist, and all
well-known scientists have accents." However, as the interviewer prodded
him to acknowledge, the fact that Tartakovsky's own family immigrated
to the U.S. from Russia when he was nine years old suggests that to some
extent, the mysteriously Slavic-accented Dexter is "an upgraded fantasy
version of your boyhood self."
Dexter operates out of an elaborate Batcave-like, high-tech lab he has
somehow managed to construct beneath his family's otherwise ordinary
suburban home. This lab features a helpful interactive A.I. of his own
invention in the form of the Quadraplex T-3000 Computer. However,
neither the soothingly female-voiced A.I. nor any of Dexter's elaborate
security measures seem capable of preventing his ditzy older sister Dee
Dee from repeatedly gaining access to the supposedly secret lab,
frequently swiping and misusing untested new devices or wrecking her
brother's experiments by playing around randomly pushing buttons.
Dexter's purely mechanical inventions run the gamut from a flying saucer
with pincer-tipped mechanical arms, prominently featured in the show's
title sequence, to a variety of robots. These range from a
flattery-spouting mechanical parrot, to a "Mom-droid" designed to fill
in for Dexter's sick mother, to Dynomutt X-9. The latter is a
four-legged android Dexter created to replace his favorite superhero
Blue Falcon's fallen canine sidekick. Unfortunately, the robot dog
proved to have an excessively severe and ultra-violent Judge Dredd /
Punisher-type interpretation of how to enforce the law, so Dexter and
its superhero master were eventually forced to destroy it.
Dexter also makes frequent use of various self-created robotic battle
suits such as the Dexo-Transformer. This is an imposing pilot-operated
mecha that is closer in basic size and function to the towering
Transformer-sized Gundams in the anime
Gundam Wing
than it is to Iron Man's form-fitting high-tech armor, although it is
capable of dramatically increasing or decreasing in size. The
Dexo-Transformer grants its pilot sufficient artificial super-strength
to whale on his similarly battle-suited archrival Mandark, a somewhat
more actively evil boy mad scientist who attends the same school, more
or less in person. The suit's other offensive capabilities include
cannon missiles, dodgeball launchers, and electrical shocks.
The Multi-Forming Megabot, which the
Dexter's Laboratory Wiki
describes as the pint-sized scientist's greatest invention, is also a
giant fighting robot. In this case, the final robot is formed by merging
several normally separate piloted vehicles together, in what the
Dexter's Lab Wiki refers to as "a parody of the Super Sentai Robots in
the East, Power Rangers Zords / Megazords and...other
Disney /
Hasbro
Mecha." With superior balletically-agile maneuverability (perhaps due
in part to one of the subordinate pilots being the unintellectual but
graceful ballerina-wannabe Dee Dee) and an arsenal that includes twin
swords and an energy-ball attack, this immense conglomerated mecha
eventually enables Dexter to successfully defeat the giant mutated
monster Badaxtra in Japan in the episode "Last But Not Beast."
The boy scientist has also come up with an assortment of much more
improbable allegedly scientific discoveries that are virtually
indistinguishable from magic. These include a so-called life potion,
which Dee Dee appropriates to bring her stuffed animals -- and,
eventually, even small appliances and pieces of furniture -- to life,
and a hypnosis pen, designed for writing notes that will compel anyone
who reads them to follow the writer's instructions (to go do all his
household chores for him so he can complete his experiments in peace and
quiet, in Dexter's case). Naturally, this, too, falls into the wrong
hands. Like a slightly more benign variation on the deadly cursed
notebook in the manga
Death Note, the pen winds up being thoroughly misused by Dee Dee, by Dexter's
secretly sentient pet monkey,
and by Mandark, who gleefully scribbles instructions for Dexter to
destroy his own lab and for Dee Dee, the object of Mandark's decidedly
unrequited crush, to reluctantly kiss him.
As the author of the
Dexter's Laboratory
Wikipedia article points out, "Despite her hyperactive personality, Dee
Dee sometimes makes more logical decisions than Dexter, or even gives
him helpful advice." However, Dee Dee's standard "destruction in a pink
tutu" M.O., coupled with the fact that she appears to be the only human
female member of the regular cast -- with the exception of the siblings'
mom, a woman so cheerfully clueless that she wears her trademark apron
and rubber gloves even to Dexter's chess matches -- have an inevitably
undermining subliminal effect on the show's presentation of gender. With
the polar opposites Dee Dee and Dexter as the essential yin and yang of
the show, a feminist viewer would be hard pressed not to conclude that
the series' underlying philosophy is that boys are -- or at least
potentially can be -- intellectual world conquerors, while girls are
more apt to be birdbrained fluffballs who routinely ruin Important Stuff
with their silly pirouetting nonsense.
In the course of researching this article, I did discover one
Dexter's Laboratory
episode that at least initially appeared to strikingly contradict this
impression -- "School Girl Crushed," storyboarded and written by Charlie
Bean. In this 2003 fourth-season episode, Dexter and Mandark's Dr. Doom
/ Reed Richards-esque archrivalry is unexpectedly disrupted when a new
girl student named
Soyen Chen
beats out both of them for first prize at the school science fair with
her Unified Theory of World Domination and Destruction -- "It's just a
simple equation, really" -- displayed on posterboard. "She's beyond
technology!" Mandark breathes reverently. "Dealing only in numbers!"
Dexter agrees. "A much higher intelligence!" the two of them conclude.
"She must be destroyed!"
The admiring and envious boys agree to team up to eliminate this new
threat. But every time they get together to set up an ambush for their
unwelcome girl-rival, they wind up spending the next seven or eight
hours attacking each other with giant tanks, mecha, satellite-based
laser cannons and other high-tech weapons instead. Meanwhile, Soyen
saunters by on her way to and from Huber Elementary School, making
comments like "I thought you guys liked school!" and blithely noting
that they've missed an entire day of classes, including a math test on
which she got an A+.
After several days of this, Soyen nonchalantly shorts out the
electric-powered giant robots Dexter and Mandark are currently facing
off in by turning on the sprinkler system on her lawn. Both scorched and
singed boys collapse in defeat on the grass, despairingly acknowledging
that she has them outclassed at science. Soyen responds, "Science? I'm
not even into that stuff any more!" When Mandark uncomprehendingly
exclaims, "What else is there?", Soyen flirtatiously replies, "Boys!"
This prompts both Dexter and Mandark to make a panicky high-speed exit,
pursued by Soyen making kissing noises.
The events of this episode do establish that, contrary to what the
airheaded example of Dee Dee might suggest, mad science is not a
male-dominated field in Dexter's world due to some sort of inherent
intellectual inferiority on the part of the female half of the
population. Unfortunately, Soyen's abrupt loss of interest in science
once she has discovered boys tends to reinforce the sexist assumption
that, I.Q. equality or not, girls are seldom found in the exacting,
concentration-intensive STEM fields because they are too prone to
distraction over frivolous preoccupations such as chasing boys.